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“He showed up at my place in Crema, and we started working together.It took us a year of back-and-forth between Crema and New York, and we started from scratch.Ivory finally suggested Guadagnino join him as a co-director.“But nobody believed in this concept,” Guadagnino sighs. But nobody believed two filmmakers could make a movie together—unless they were brothers, or a pair to begin with.” Guadagnino could be fast and nimble in a way Ivory wasn’t practiced in.Also Pialat’s À Nos Amours, and Téchiné’s Wild Reeds.“There was something about the countryside in all these films,” he enthuses.Ramo Law PC will be attending the 2017 Sundance Film Festival from January 18, 2018 to January 28, 2018.We congratulate all selections and look forward to seeing you there.

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The films that sprang to mind: Jean Renoir’s A Day in the Country, Bertolucci’s La Luna, Rohmer’s 80s films like The Green Ray and Pauline à la Plage (Call Me is set in 1982).

Certainly, there is a cross-generational controversy ready to ruffle some feathers, but that feels almost incidental.

As Elio and Oliver’s attraction deepens, moralistic arguments seem weightless.

So I give a great level of importance to the concept of falling in love.” Instead, perhaps, it was resignation that made him take the helm.

Guadagnino had been attached to the adaptation of André Aciman’s delirious summer romance for nearly a decade—first as a consultant, then an executive producer, then a writer—when he finally took the plunge into directing it.

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